Everyday People is a high energy performance band featuring soul and funk hits from the 60's and 70's. With a song list that touts some of the greatest party music of all time, every E.D.P. performance is guaranteed to please. Everyday People features hit songs by legendary artists such as Aretha Franklin and James Brown as well as music from hit groups like Average White Band, Sly and the Family Stone and Kool and the Gang. E.D.P, specializes in private parties and outdoor events, and can frequently be seen playing at Portland area's hottest night spots. So the next time you're in need of a big dose of live music, find Everyday People and " get down with the good thang ".








Christine “Kit” Lorraine Stuber joined EDP in March of 2008, but has been performing as a musician and dancer since the age of 8. As a child, Kit Lorraine studied classical piano and later moved on to blues and jazz. She began seeking formal vocal training at 18 and has since studied with a number of instructors including Valerie Day, vocalist and co-founder of the band Nu Shooz. Kit Lorraine studied ballet and tap as a child and discovered a passion for Brazilian dance in 2006 when she began attending classes taught by Donna Oefinger, a Portland based choreographer and percussionist. Kit Lorraine enjoys teaching and working in arts education and has worked as an instructor for Schools Uniting Neighborhoods (SUN) and Ethos Music Center; she also served on the board of arts funding non-profit organization, Artists for the Arts. Connect with Kit on facebook.                  












An experienced musician, sound engineer, photographer, and video recording engineer - both in and out of the studio, Big John's background vocals, "big ears", arranging, and transcriptions are well known amongst his friends. Big John's muscial styles cover Funk, Soul, R&B, Blues, Big Band, Straight-ahead Jazz, Rock, Pop, Latin, Fusion – Big John loves what the audience loves!

Big John has had the privilege to play with Howard Roberts, Mary Field, the Woody Hite Band, L.A. studio legend Mitch Holder, King Louis Pain, Sweet Baby James, Renato Caranto, Micah Kassell, Margaret Linn, Tall Jazz, Wade Kirtley’s B3 Quintet, Gary Fontaine, Carlton Jackson, Funkbuddy, and the Providence Stage Band. In addition, he has gigged with JayBird Koder, D. K. Stewart, James Gregg, Jeff Frankel, Wayne Henderson, Carl Joiner, Laura Cunnard, Allyn Jackson, Ward Baxter, and Lee Elderwood.











Johnny Ashy was born and raised in south Louisiana and was playing music in a soul band by age 14. A former music major from Louisiana-Lafayette, Johnny has spent most of his life as a full time professional musician. Johnny has resided in the Pacific Northwest for the past twenty-five years, and has been the founder and a member of
Everyday People for the past three years. Johnny plays trumpet, congas, and harmonicas with Everyday People as well as being the lead male vocalist












Joshua Corry grew up in a musical household, my father being a professional musician/songwriter and music store owner. Various baby photos show me playing around on a toy drumset at the tender age of 3- but I didn't really pick up the drums seriously until I was about 15-16. From that point I was hooked and began playing with a crummy punk band at all ages venues. Soon after, I moved out to the Oregon Coast and the madness began, as I was playing in about 5 different bands while working on my own music and teaching drums as well. Fast forward a couple years and while I was living in Eugene going to school, one of the friends I made in those coastal days let me know about an audition and now I'm in the wonderful city of Portland, making a living playing music with Every Day People
and a couple other great bands- truly living the dream. If you see me back there rockin' it at a show near you- come say hi!









I started playing Saxophone when I was a 10 Yr Old 5th Grader, I continued through all my school years playing in every band that the schools offered. Concert, Pep, Marching & Jazz ensemble. One highlight was my senior year at Beaverton High. We marched in the Macy’s Thanksgiving Day Parade in New York City 1982. I Enrolled at Western Oregon State College where I continued playing and studying Music. Later, In 1989 I marched in the Rose Parade in Pasadena California with the “One More Time around Again Band”. I took a break for a few years to start a family. Sometime around 1992 I picked the Horn back up and started playing again.

To describe my playing style, I like to layback in the pocket while accompanying the vocal line, adding color and texture to the sound. When it’s my time to Solo, I lay down a funky back beat grove line and build up to a psychedelic techno-colored frenzy using multi- note combination with articulated note attack.
I went on to play professionally with the following groups:

¾ Chub – Pop Rock/ Alternative
The Lawrence McAlister - Jazz/ Fusion ensemble
Funk-A-Fid X - Power Funk-Jam
Hammer Head Rose Band – Rocking Blues
Victoria Secret Police (VSP) – Classic Pop Rock
Pepper - Original Power Pop / soul Ballads
Blues Broads Show Band and review – Blues Brother Tribute Band
Shaky Ground Top - 40 Dance
Everyday People - Soul, R&B, Funk.






 

Bassist Calen Uhlig is a relative newcomer to the Portland scene but has fast become a recognizable presence in the music community.   

Calen is already well-established on the Oregon Coast after laying it down since 1997 for Astoria bands such as the Function and Heather Christie Band, and also from nearly two decades holding the bari sax chair for coastal institution, the Bond Street Blues Band.  Since coming to Portland in early 2005 Calen has been playing constantly, working with and learning from a wide variety of P-town musicians, including studies with renowned jazz bassist David Captein, and hundreds of sideman gigs with Mark & LaRhonda Steele, Amy Keys, Lloyd Allen, Robert Carson, Reggie Houston, Robbie Laws, Johnnie Ward & the Sharkskin Revue, and many others.  Calen has been fortunate to have been invited to play such venues and events as the Portland Rose Festival, the Bite of Portland, the Bite of Vancouver, the Crystal Ballroom, and the Portland Waterfront Blues Festival.  He has had the opportunity to share the stage with national touring acts as Kool & the Gang, Country Joe MacDonald, and Lydia Pense & Cold Blood. 

Calen is a founding member of the highly unique quartet Caravan Gogh, which features Portland Cello Project member Gideon Freudmann and has been received multiple features spots on OPB’s Artbeat.  Calen is an active member of the blues jamming community as well, and can be found every other Thursday hosting house bass at the Monty’s jam in Beaverton, OR.   

Calen grew up in sleepy Clatskanie, OR.  He began playing bass somewhere around freshman year of high school, going on to win the Louis Armstrong Award for jazz performance his senior year.  After graduation from CHS, he moved to Astoria in 1997, where he had already been performing regularly with Bond Street since 1992.  He lived on the Oregon Coast for seven years, working in a music store and playing with numerous bands simultaneously.  He left Astoria in fall of 2004 for a three-month hiatus with friends in Edmonton, Alberta, and then eventually landed in Portland to explore the music scene and also to begin college coursework.  Calen now attends Portland State University and expects to complete a Bachelor’s of Science degree in Electrical Engineering in 2010. 

Calen says, "I've been with Everyday People since summer of 2006.  I actually got the bass job by way of being hired as a fill-in sax player!  When I showed up to rehearsal as former EDP saxman Alan Jackson's cover man for a gig, it turned out that they were seeking a replacement for their current bassist who was soon going back get a Master's degree, and I had actually previously met and played with EDP guitarist John Hannam at a jam in SE Portland, so it was cool.  Funny how things just work out sometimes.  I love playing with Everyday People, because when you get a full 7-piece band up and cooking, the momentum you can create is insane..!  We play a lot of really danceable tunes, too, and funk has some of the greatest bass lines."






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